Closing of the Gap, 1995
Oil painting Reproduced with the kind permission of Jane Bennett ML 1418
Oil painting Reproduced with the kind permission of Jane Bennett ML 1418
Spider-steel
a cable-stayed climbing wall
for dreamworks heroes,
you document
the passing of an era.
An unclosed gap
soon to shut down its past
trawls the dark water.
Below us, working harbour sites
dissolve into the distance,
a Whiteley speed-boat
unfurls its backwash
into Johnstone's Bay.
*
Bats halo round the light
on Anzac Bridge
looking for insects,
like seagulls in the wake
of container ships,
caught in its shining web.
Nearby
historic Glebe Island Bridge
is rotting, timber fenders
on both sides of the swing-bridge
near collapse.
- after Closing of the gap, 1995, Jane Bennett
© Margaret Bradstock
From here I see concrete forks
tune the cobalt sky to perfect pitch
From here I see taut steel ropes
stringing heaven’s harp
I hum in unison with the wind
and could sprout feathered wings
Like Icarus I watch with eagle eyes
but must be careful of the sun
Up here I am godlike
a puppet master pulling strings
Look down – vertigo – panic
I want no place in that microcosm
below, a working harbour
Where a weary bridge opens a gap
to boats but soon it will be gone
Instead, streamers of cars
uninterrupted, will ribbon back and forth
A million comings and goings
day after dreary night after dreary day
It is inevitable that I will descend
to brooding reality closing the gap
- after Closing of the Gap, 1995, Jane Bennett
© Sheryl Persson