View of Miller’s Point and Darling Harbour, c. 1870
Oil painting DG 392
Oil painting DG 392
An idyllic scene, this shipping hub
on the city's western edge
paddle wheel steamers, single-masted rowing boats
not a hint of overseas trade, or yellow flags.
Yet, the harbour was a highway, for colonists, and rats
boarding from Hawaii, New Caledonia, the East
in the warm, wet Sydney autumn
ferrying their contagion across the water.
At Millers Point and Darling Harbour
they were pulling dead vermin from privies.
Each rodent-corpse fetched sixpence
delivered to the Bathurst St. furnace.
Whaling crews scoured The Rocksfor rum and sex
while their foul-smelling ships were in port
sulphur burning to flush out the rats
bodies dumped on the foreshores.
Hammers peck away
at Sydney’s sandstone, its finger-wharves
the profile of a broken comb.
You walk past glassed-in
waterfront apartments, Three-Hat oyster bars
heritage pubs, galleries
of Aboriginal artefacts
to pull the tourist trade.
Where mirage of quarantine
and fumigation filters through
black rats still roam the city.
- after View of Miller's Point and Darling Harbour, c.1870, artist unknown
© Margaret Bradstock