Curio

State Library of New South Wales

Candelabrum centerpiece cum epergne presented to James Mitchell

Candelabrum centerpiece cum epergne presented to james Mitchell, 1837
John S Hunt
Silver
XR 44
Presented by EJ Merewether, great-great-grandson of James Mitchell, on behalf of the Merewether family, 1979

To James Mitchell Esqr. surgeon in H.M. colonial service. Presented by a numerous body of friends desirous of testifying their sense of his medical skill and personal worth. Sydney, New South Wales. 26 September 1837.

David Scott Mitchell's father

By Australian Dictionary of Biography, Vol 2, (MUP), 1967

Mitchell showed his interest in educational and cultural projects by acting as a trustee of the Australian Museum in 1853-69, a shareholder in the Newcastle Mechanics' Institute, and a generous benefactor to St Paul's College, to which he was elected a senior fellow in 1857. He was associated with the Australian Subscription Library, now the Public Library of New South Wales, as a committeeman from 1832 to 1853 and vice-president and president 1856 to 1869, and it was to this institution that his son, David Scott Mitchell, bequeathed his priceless collection of Australiana and an endowment to maintain it.


James Mitchell

By Australian Dictionary of Biography, Vol 2, (MUP), 1967

Physician and industrialist James Mitchell (1792-1869) was appointed surgeon at Sydney Hospital in 1829, and had a long and successful private practice at Cumberland Place. This candelabrum was made in London in 1838, following a subscription made by his friends and associates in acknowledgement of his 'highly valuable professional service'. Appropriately, the candelabrum's centrepiece figure is Aesculapius, the Roman god of medicine and healing.

Testimonials

By National Gallery of Victoria

During the nineteenth century, prominent figures were regularly presented with testimonials in recognition of service. In Australia these invariably took the form of a flamboyant silver presentation object. The most lavish are elaborate decorative centrepieces. During the second half of the century, when Australian cities could support large numbers of silversmiths, centrepieces were nearly always made locally.