Curio

State Library of New South Wales

Robert Louis Stevenson, 1910

DG P2 / 48
Pencil drawing

Italian-born Count Girolamo Pieri Ballati Nerli (1860–1947) arrived in Australia in November 1885 and travelled regularly around Australia and New Zealand before heading back to Europe in 1904. In August 1892 he visited Apia in Samoa for a month where he met Robert Louis Stevenson who subsequently became Nerli’s subject for many portraits rendered in oil, pastel, watercolour, pencil, etching and charcoal.

Falk Studios and RLS

By Design & Art Australia online

Returning to Australia in 1885 H Walter Barnett set up Falk Studios in the Royal Arcade, 496 George Street, Sydney, which became the leading celebrity studio in the city specialising in portraits of local and visiting theatrical stars, including Mrs Brown Potter (1890) – his first commercial success – Sarah Bernhardt (whom he paid 100 gns for the exclusive rights to photograph her in Australia in 1891 & whom he rephotographed in old age at London in 1910) and local star actress Nellie Stewart, as well as famous visitors like Robert Louis Stevenson (on his fourth and last trip to Sydney in 1893) and Mark Twain (on his world lecture tour in 1895 – and at London in 1899, 1902 & 1907).

A death in Samoa

In the early evening of 3 December 1894, Stevenson died suddenly of a cerebral haemorrhage. He was buried, as was his wish, on the top of Mount Vaea overlooking Vailima, the harbour and town of Apia, and the Pacific Ocean to the north. 

To my dear friend

By RG Swearingen, ‘Robert Louis Stevenson in Australia: Treasures in the State Library of New South Wales’, 2013

H Walter Barnett (1862–1934) was a well-respected portrait photographer in both England and Australia. Barnett photographed Robert Louis Stevenson at his Falk Studios in Sydney in March 1893 and produced eight or nine studio photographic portraits. Barnett also knew Girolamo Nerli, having met him in Sydney and again in London around 1910. 

Face to face

By RG Swearingen, ‘Robert Louis Stevenson in Australia: Treasures in the State Library of New South Wales’, 2013


Image:

Falk Studios (Henry Walter Barnett)

Robert Louise Stevenson, March 1893

Photographic print

P1 / 1665

The significance of the inscription (see Close-up) on Stevenson’s pencil portrait is that Nerli used one of Barnett’s photographic portraits to aid his memory of Stevenson’s visage from their time in Samoa. Placed side by side, the similarities between Nerli’s pencil sketch and Barnett’s photographic portrait are apparent.



Quite the equal of John Singer Sargent

By RG Swearingen, ‘Robert Louis Stevenson in Australia: Treasures in the State Library of New South Wales’, 2013

The most memorable result of Nerli’s visit to Samoa was an oil portrait of Stevenson that today is in the collection of the Scottish National Portrait Gallery. It was not until late April 1895 – five months after Stevenson’s death – that Nerli found a buyer for the painting. It was reproduced for the first time in a New York magazine, the Cosmopolitan, in July 1895. In the years that followed, Nerli found that versions of it were increasingly in demand – not surprisingly, given its high quality and Stevenson’s continuing popularity.