Viewed from our modern world of almost instantaneous, global broadcasting,
it seems incredible that throughout the early decades of white settlement in
Australia, updates on international affairs - say, the outbreak of a war or the
death of a public figure (let alone a loved one) - could take up to six months
to arrive. Ships docking at
Sydney Cove brought not only people and
badly needed provisions but were also the sole means of delivering news from
the outside.
Such was the situation on 11 April 1806,
when the convict transport William Pitt
arrived with its contingent of female internees. In transit since September
1805, the ship had reached the Cape of Good Hope in January 1806. There,
reliable intelligence confirmed the victory of the Royal Navy over Napoleon
Bonaparte's fleet at the
Battle of Trafalgar on 21 October 1805, and
the loss of the nation's greatest naval hero, Vice Admiral Viscount Horatio
Nelson.
On landing in Sydney, the news was quickly
communicated to the colonial authorities and disseminated to the populace at
large via the colony's only newspaper, the weekly Sydney Gazette. Governor King declared Sunday 20 April 1806 as a
Day of General Thanksgiving for the safe delivery of king and country from the
threat of French imperialism, and the next issue of the Sydney Gazette, dated Sunday 13 April 1806, printed a public announcement
on the front page.
Details of religious services to be conducted at
Sydney, Parramatta, Castle Hill, and Green Hills in the Hawkesbury were included
in the notice, along with the exhortation that 'all persons not prevented by
sickness or the necessary care of their dwellings are expected to attend.' The
back page of the newspaper included a brief description of the battle with
'verbatim' copy from the Cape
Extraordinary Gazette, 26 January 1806, and Nelson's ‘Tellegraph (sic) signal
issued previous to the action' was transcribed in full: " ENGLAND EXPECTS
EVERY MAN WILL DO HIS DUTY."
Meanwhile, closer to home, the Sydney Gazette reported (as it had throughout February and March)
on the prospect of recurrent flooding in the Hawkesbury region:
From the heavy rains that fell almost
incessantly at the beginning of the week, much serious apprehension was
entertained at Sydney of another flood in the River Hawkesbury, with a renewal
of the deplorable scenes so lately witnessed at that extensive and once flourishing
settlement.
The alluvial plain flanking the Hawkesbury River was
regarded as the granary of New South Wales, and the destruction of crops two
months previously had practically reduced the colony to famine. Events such as
these may have prompted John Bowman to place a series of advertisements in the
newspaper throughout 1806, advising of the availability of his Hawkesbury River
property for rent.1
In 1797 John Bowman (1763–1825), a Scottish-born
carpenter, had applied for, and been given, free passage to NSW on the
recommendation of Sir Joseph Banks. Soon after, Bowman and his wife Honor (1759–1826),
nee Honey, with their daughter (Mary, b. c. 1797) and son (George, 1795–1878)
emigrated on the Barwell, only the
third transport to carry free settlers.2 The Bowmans travelled out
with three other families — the ship's complement totalling 18 free persons, 115
convicts and 31 NSW Corpsmen. When the Barwell
arrived in Sydney, on 18 May 1798, Sydneysiders eagerly welcomed it, as no
ship had landed in the colony in over a year and supplies on shore were running
short. In April 1799, Governor Hunter granted John Bowman 100 acres on the
banks of the Hawkesbury River, about 21/2 miles (4 km) below the
Richmond Bridge, which he named Archerfield.3
On 20 April 1806, according to Bowman family
tradition, after attending the Trafalgar Thanksgiving Service at nearby Green
Hills, a more informal gathering was staged at Archerfield, where a bonfire was lit and a flag flown from a
temporary flagpole erected on the property.4 The flag, specially
made for the occasion, has come to be known as the 'Trafalgar', or 'Bowman'
flag.5
The Bowman flag is believed to be the earliest flag
designed in Australia.6 Made of cream silk, in the pennant shape, it
is constructed in four sections with the central panel bearing a coat of arms
painted in oils. Two rectangles, pieced together by hand, form the large panel
with two triangular segments attached along the right hand side. Three pairs of
ties were attached down the left-hand side, each marked with a self-fabric
rosette - only two sets of ties and one rosette survive. Another, smaller,
rosette, marks the attachment of the pennants to the central panel (again, perhaps
originally one of three).
The design and manufacture of the flag have been
variously credited to Honor Bowman and her daughter Mary Bowman (c. 1796-1875).
Mary was only nine or ten in 1806, so she is hardly likely to have devised and
executed the entire concept on her own. Family tradition attributes the flag's
design to John Bowman, and the plain sewing skills utilised in its construction
would have been well within the capabilities of the female members of most
colonial families.
Said to have been cut from the fabric of Mrs Bowman's
'white satin wedding gown' c.1788,7 the flag is actually made of a
lightweight, plain weave, cream coloured silk. Possibly Indian or Chinese in
origin, recent research into trade between Asian ports and Sydney proves that,
by 1806, such materials would have been easily available in the colony.8
The coat of arms appearing on the Bowman flag is held
to be the earliest rendition of the emu and kangaroo as part of an Australian coat of arms.9 The design comprises a motto, 'UNITY', lettered in a blue ribbon, above the crest of a rose and a scrolling cartouche surrounding an elongated shield bearing the floral emblems of the British Isles - a rose, shamrock and thistle – supported by an emu (left) and kangaroo (right), nestled on foliage, above a second motto recording Nelson's famous signal, 'ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY', also set in a blue ribbon. The inclusion of Nelson's signal (exactly as transcribed in the Sydney
Gazette) in what is
otherwise a colonial symbol of patriotic fervour, shifts iconography of the Bowman flag beyond the bounds of Australiana and into the international realm of Nelsoniana.
The use of oils in the painting of the crest raises
further queries as to the circumstances of its design and execution. Given the
flag's end use, the choice of oil paints over watercolour would seem a
practical option, and the whole design, especially the lettering, is extremely
competently rendered. But would members of the Bowman family, or their fellow
citizens of Richmond (or Sydney for that matter) have had ready access to oil
paints or the skills to mix and apply them?
Although painting in watercolours on silk was a
popular feminine accomplishment among the aspiring classes during the late 18th
and early 19th centuries, little is known about the education and social circumstances
of Honor Bowman, a Cornish woman by birth, prior to her arrival in the colony. Could
lack of skill in preparing the silk surface or the oils themselves, plus the general
unsuitability of silk as a base for this medium, have contributed to the now degraded
state of the painted crest?
The use of Australian fauna in the crest on the Bowman
flag, as supporters of the shield emblematic of Britain, predated Australia's
identity as part of the British Empire - not merely as a dependent outpost - by
100 years. This powerful symbolism drew the flag back into public consciousness
during the post-Federation era.
In November 1905, after the death of Leslie Bowman
(the last great grandson of John Bowman) and following on from the centenary of
the Battle of Trafalgar in October 1905, members of the Bowman family decided
to give the flag to the Richmond Superior Public School - presumably for the
edification of future generations of local residents.
In 1908, King Edward VII granted Australia the right
to armorial bearings. This first official Australian coat of arms also depicted
the kangaroo and emu as supporters but reversed their positions.10 Edward
Campbell, a solicitor related to the Bowman family by marriage, had visited the
Richmond Public School to discover the flag nailed to the back of a cupboard
door. Campbell arranged for the flag to be cleaned, restored and framed. In a
ceremony marking Empire Day in May 1908, it was hung in the Assembly Hall of
the school, where it was photographed by NSW Government Printing Office in June
of the same year.11
This photograph was later reproduced in a 1914
publication by WA Gullick, the NSW Government Printer. In his book entitled Origin of Australian Arms, Gullick
commented on the redesigned Australian coat of arms that King George V had
granted on 19 September 1912:
It is perhaps unfortunate that in adopting
the existing Commonwealth Coat of Arms, that authority obtained its grant for a
combination which overlooks in the placing of the supporters, the correct
historical origin. The emblem, as originally designed in 1805, had in it all
the sentiment of 'Unity', which later crystallised into the Federation of Australia
in 1901.
The flag remained in the Assembly Hall at Richmond
until the Mitchell Library made a request for it to be transferred into its
care.12 The Department of Public Instruction agreed, passing the
flag on to the Mitchell Library in 1916, where it was placed on public view in
the Picture Gallery. Its increasingly fragile condition led to its withdrawal
from display and in the 1970s the flag underwent extensive conservation. During
this treatment the 1908 over painting was removed and the pennants were
unfurled to reinstate the flag's original configuration.
The Bowman Flag is a remarkable artefact on many levels.
As an expression of local patriotic fervor merging colonial and international
content, its conceptualisation and execution in a remote farming community,
amidst the rising floodwaters of the Hawkesbury River, is hard to conceive.
Given its fragile fabric, flaking paint and ephemeral nature, the flag's two
hundred year survival is even harder to believe. Yet its naïve imagery has the
symbolic power to resonate with us to this day.
References
ES Bowman, John and Honor Bowman
of Richmond, New South Wales, and their family. Archer Press, Singleton NSW
1999
James Broadbent, Suzanne Rickard & Margaret Steven, India, China,
Australia: trade and
society 1788-1850. Historic Houses Trust
of NSW, Glebe NSW 2003
Brian Fletcher, 'John Bowman', Australian
Dictionary of Biography MUP, Melbourne 1966, vol.1, pp. 138-139
WA Gullick, Origin of Australian
Arms, Government Printing Office, Sydney 1914 (ML QA929.8/G)
Brian Lavery, Nelson’s Fleet at
Trafalgar. National Maritime Museum, Greenwich, 2004
Notes
- ES Bowman, John and Honor Bowman of Richmond, New South
Wales, and their family. Singleton, NSW, Archer Press, 1999
- Brian Fletcher, 'John
Bowman', Australian Dictionary of
Biography, MUP 1966, vol. 1. pp. 138-139
- R Ian Jack in Exploring the Hawkesbury, Kangaroo
Press, Kenthurst 1990 p. 142 places Archerfield
on Freeman's Reach
- ES Bowman, op.cit.
- ML Relic Collection: XR1.
There is also a nylon replica c.1984 in the collection: LR 65
- Frank Cayley, Flag of Stars, 1966
- See ML Catalogue card -
Mr R. Stuart Bowman (verbal) to ML on 8/7/1954
- James Broadbent, Suzanne
Rickard & Margaret Steven. India, China, Australia: trade and society
1788-1850. Glebe NSW, Historic Houses Trust of NSW 2003
- WA Gullick, Origin of Australian Arms, 1914
- The imprint of the Sydney Gazette
has a kangaroo on the left and emu on the right.
- Photo taken at Richmond Public School June 1908: GPO 11340; GPO copyprint
don. 30.12.1913 and clipping from SMH
22.5. [1908]: DL PX 168, 18-21; Pxn 195
- Label acquired with the flag and GPO copyprint at Ab28